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机构地区:[1]马来西亚博特拉大学音乐系 [2]台州学院艺术与设计学院,台州318000
出 处:《北方音乐》2024年第4期43-51,共9页Journal of the Northern Music
摘 要:区域音乐史研究是当今学者们关注的领域,对东北音乐史的研究始于20世纪80年代,在吕金藻先生领衔的“东北音乐史专题研究”为系统研究的开端,其专注于“沦陷区音乐”及对解放战争时期东北音乐活动的探索,这些研究至今已走过四十年多的历程。文章论述吕金藻先生的研究及这以后出现对东北区域音乐史研究,对互通有无的东北古代音乐史研究、对多民族音乐交融的东北民族音乐研究、对东北亚区域音乐交流史研究、近代中俄音乐文化传播交流,等等。文章论述了东北区域音乐史研究的特征、成就与不足,并展望东北亚“丝绸之路”音乐史,论证东北区域音乐史研究将成为我国区域音乐史研究的学术新高地。The historical researches of regional music attract more scholars today.Research on the music history of Northeast China started in the 1980s.The thematical researches in this area which leaded by Mr.Lv Jinzao represent the beginning of its systematic research,which scholars focused on the music of the fallen areas and explored the music activities in Northeast China during the lib-eration war period.Nowadays,these researches have been going on for more than forty years.The article reviewed not only the researches on music of Northeast China since Mr.Lv Jinzao's era,but also the interlapped areas,i.e.ancient northeastern music,northeastern ethnic music that multi-ethnic interacted,the communication history of Northeast Asia music,and the Chinese and Russian cultural exchanges on music in the modern era,and so on.The article discusses the characteristics,achievements and shortcomings of these researches,and looks forward to the researches of history of Silk Road music in Northeast Asia,providing the theory basis for the researches on the history of Northeast regional music will become a new academic plateau for the researches on the history of Chinese regional music.
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