《于润洋西方音乐史教学手稿》中的音乐史学问题及书写特性  

Question of Music Historiography and Writing Characteristics in Yu Runyang's Teaching Manuscript of Western Music History

作　　者：李秀军[1,2] Li Xiujun

机构地区：[1]中国音乐学院音乐学系 [2]中国音协西方音乐学会,北京100101

出　　处：《北方音乐》2024年第4期83-88,共6页Journal of the Northern Music

摘　　要：2021年3月,人民音乐出版社出版了于润洋先生的《于润洋西方音乐史教学手稿》。文章追溯了该书写作的历史经纬,论述了该著作出版的历史意义,阐述了书写中的历史唯物主义基本原则,对中外音乐史写作的个性特征作了回顾,阐述该书的问题意识,指出这部《手稿》既是于润洋先生学术问题的发源地,在当时也具有着西方音乐史教学和研究学术引领的意义。In March 2021,the People Music Publishing House published Mr.Yu Runyang's Teach-ing Manuscript of Western Music History.Upon traced the all aspects about the book's writing his-torically,the article discusses its historical significance,expounds the basic principles of historical materialism in writing,reviews the individual characteristics of Chinese and foreign music history writing,expounds the book's question sense and points out that this Manuscript is both the fountain-head of Mr.Yu Runyang's academic topic and had the significance of an academic lead in teaching and researching the history of Western music at that time.

关 键 词：于润洋 《于润洋西方音乐史教学手稿》 音乐史写作 研究方法 问题意识 

分 类 号：J605[艺术—音乐]