电影与现实的“梦”与“境”——探究电影《梦》中色彩语言对于哲学思考与人性挖掘的深入表达  

The"Dream"and"Realm"of Film and Reality--Exploring the Deep Expression of Color Language in Philosophical Thinking and Human Nature Exploration in the Film"Dreams"

作　　者：房晓宇 Fang Xiaoyu(Shandong University of Arts)

机构地区：[1]山东艺术学院

出　　处：《色彩》2024年第8期21-24,共4页Color

摘　　要：黑泽明晚年的《梦》是一部具有独特艺术魅力的影片,影片的八个梦境通过不同的语言进行表现、串接。本文通过电影《梦》的八个梦境分析黑泽明透过色彩语言表现出的自然与人性、哲理性思想以及死亡美学等多个方面,从而探讨影片中生命的价值和意义以及镜头所呈现的死亡意境的审美价值的必要性,同时通过电影中对死亡美学的分析研究,来弥补对黑泽明导演死亡美学系统性研究的空白,并能从中体悟生命的存在形式以及多元的价值。Akira Kurosawa's"Dreams"in his later years is a film with unique artistic charm.The eight dreams in the film are expressed and connected through different languages.This article analyzes the natural and human nature,philosophical thoughts,and death aesthetics expressed by Akira Kurosawa through color language through eight dreams in the movie"Dreams".It explores the value and significance of life in the film,as well as the necessity of the aesthetic value of the death imagery presented by the camera.At the same time,through the analysis and research of death aesthetics in the movie,it fills the gap in the systematic study of director Akira Kurosawa's death aesthetics and allows us to understand the forms of life and the diverse values from it.

关 键 词：黑泽明 《梦》 色彩 哲学 死亡美学 

分 类 号：J905[艺术—电影电视艺术]