《一个和八个》中的色彩与符号隐喻  

Color and Symbolic Metaphors in"One and Eight"

作　　者：杨松柏 Yang Songbai(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《色彩》2024年第8期55-57,共3页Color

摘　　要：电影《一个和八个》不仅是中国“第五代导演”成长的徽记,其革命式的创作观念更是中国电影的精神火种。影片色彩与符号隐喻的创新运用,打破了传统战争片的叙事模式,呈现出新颖的视觉奇观。影片以黑、白对比为主调,“灰色”调和,展现出逆境中人性闪亮的意义和生死战争中忠诚的纯粹,并通过砖窑、磨盘、枪等符号隐喻,揭示人物在恶劣困境下心理的挣扎与精神的蜕变。其美学范式突破“陈规陋习”且大胆、朴实,成为电影创作者的图腾象征。The movie"One and Eight"is not only a symbol of the growth of China's"fifth generation directors",but its revolutionary creative concept is also the spiritual spark of Chinese cinema.The innovative use of color and symbolic metaphors in the film breaks the traditional narrative mode of war films and presents novel visual wonders.The film is characterized by a contrast between black and white,with a balance of"gray",showcasing the shining meaning of human nature in adversity and the purity of loyalty in life and death wars.Through symbolic metaphors such as brick kilns,grinding discs,and guns,it reveals the psychological struggles and spiritual transformations of characters in harsh situations.Its aesthetic paradigm breaks through"outdated customs"and is bold and simple,becoming a totemic symbol for film creators.

关 键 词：一个和八个 色彩隐喻 符号化场景 战争片 美学革新 

分 类 号：J905[艺术—电影电视艺术]