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作 者:马艳 Ma Yan(School of Design Art&Media,Nanjing University of Science&Technology)
机构地区:[1]南京理工大学设计艺术与传媒学院
出 处:《色彩》2024年第8期61-63,共3页Color
摘 要:京剧脸谱是京剧艺术的代表性元素之一,经历了长久的历史积淀,成为了中国人共同的文化基础,而京剧脸谱的色彩语义更是影响着中国人的色彩审美基调。本文通过对京剧脸谱色彩语义的研究为背景,简要分析了如今表情包的研究现状和京剧脸谱传承和发展所面临的问题,并在肯定了两者相结合的可行性基础上,进行了京剧脸谱色彩语义的表情包设计实践,尝试以迎合年轻群体的表现形式和传播途径,为传统京剧脸谱艺术的创新发展做出有借鉴意义的研究和实践案例。The facial makeup of Peking Opera is one of the representative elements of Peking Opera art,which has undergone a long history of accumulation and has become a common cultural foundation for Chinese people.The color semantics of Peking Opera facial makeup has also influenced the color aesthetic tone of Chinese people.Based on the study of the history and color semantics of Peking Opera facial makeup,this paper briefly analyzes the current research status of emoticons and the problems faced by the inheritance and development of Peking Opera facial makeup.On the basis of affirming the feasibility of combining the two,this paper conducts a design practice of Peking Opera facial makeup emoticons,trying to meet the young group's expression forms and dissemination channels,and making a research and practice case with reference value for the innovative development of traditional Peking Opera facial makeup art.
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