作为象征的色彩:宗教艺术中的色彩隐喻  

Color as Symbol:Color Metaphor in Religious Art

作　　者：娄申义 Lou Shenyi(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《色彩》2024年第8期71-73,77,共4页Color

摘　　要：人类认识世界的第一步,就是色彩。在人类文化进程中,色彩具有超越客观存在的文化属性,逐渐建立为一套特殊的语言系统。色彩语言是一种公用语言,有些语义在全世界范围内通用,有些则具有一定的民族性、地域性,表现为某种特定的风俗及意识形态。在艺术中,色彩除了赋予对象以形态和情感,还常常有着象征功能。艺术理论家阿恩海姆曾经在《艺术与视知觉》一书中写道:“所有的艺术都是象征的。”[1]在艺术的象征性中,色彩是艺术作品中具有象征意义的重要组成部分。而宗教绘画中,色彩往往还成为教义的另一种语言模式。现就从宗教绘画中的色彩运用,浅议色彩的隐喻。The first step for human beings to know the world is through color.In the process of human culture,color has a cultural attribute that transcends objective existence,and gradually establishes a special language system.Color language is a common language,some semantics are universal all over the world,while others have certain nationality and regionality,which are manifested in certain customs and ideologies.In art,color not only endows the object with form and emotion,but also often has symbolic function.Arnheim,an art theorist,once wrote in his book Art and Visual Perception:"All art is symbolic."[1]In the symbolism of art,color is an important part of symbolic meaning in works of art.In religious painting,color often becomes another set of language patterns of doctrine.This paper discusses the metaphor of color from the application of color in religious painting.

关 键 词：色彩 象征 艺术 

分 类 号：J219[艺术—美术]