符号学视角下汉代漆器云气纹在丝巾上的应用探究  

Exploring the Application of Han Dynasty Lacquer Clouds and Air Patterns on Silk Scarves Under the Perspective of Semiotics

作　　者：黄迎秋 黄彦 Huang Yingqiu;Huang Yan(School of Art and Design,Hubei University)

机构地区：[1]湖北大学艺术与设计学院

出　　处：《色彩》2024年第8期94-96,共3页Color

基　　金：湖北省研究生思想政治教育规划专项课题(项目编号:2023XZ015)。

摘　　要：汉代漆器云气纹是中华民族的一种传统纹样,是视觉化呈现的表现形式之一。为实现传统文化的传承和创新,将汉代漆器云气纹运用在现代丝巾上,提升丝巾的文化内涵。文章通过莫里斯符号学三个层面:语意层、语构层、语用层,解析汉代漆器云气纹的形态构成和审美意蕴,探究汉代漆器云气纹运用在现代丝巾设计的方法和路径,最后做出设计实践。Han Dynasty Lacquerware Yunqi Pattern is a traditional pattern of the Chinese nation,which is one of the manifestations of visual presentation.In order to realise the inheritance and innovation of traditional culture,the Han Dynasty Lacquer Yunqi Pattern is applied to modern silk scarves to enhance the cultural connotation of silk scarves.The article analyses the morphological composition and aesthetic meaning of Han Dynasty lacquer cloud and air pattern through three levels of Morris semiotics:semantic layer,semantic structure layer,and semantic use layer,explores the methods and paths of applying Han Dynasty lacquer cloud and air pattern in modern silk scarf design,and finally makes a design practice.

关 键 词：符号学 云气纹 丝巾 

分 类 号：TS146[轻工技术与工程—纺织材料与纺织品设计] TS959.3[轻工技术与工程—纺织科学与工程]