“潘安”考论  

Investigate and Discuss on"Pan An"

作　　者：周童 ZHOU Tong(Office of Poeple's Government of Shibei District,Qingdao 266034,Shandong,China)

机构地区：[1]市北区人民政府办公室,山东青岛266034

出　　处：《惠州学院学报》2024年第5期49-53,93,共6页Journal of Huizhou University

摘　　要：潘岳除了本名之外,还有一个知名度更广的称呼“潘安”,在某种程度上,“潘安”的影响力甚至超过了本名。从现有文献来看,至迟在广德元年杜甫创作《花底》时,“潘安”已经出现。“潘安”之接受在不同的文学体裁中出现分流,这种分流可进一步从雅、俗文学两面而分别关照。具体来看,在唐、宋两朝,雅文学影响较大,而元、明、清三朝,俗文学成为“潘安”接受的主要阵地。两者相比,俗文学的影响更为深远,使“潘安”乃潘岳几乎成为一种民族集体无意识。In addition to his real name,Pan Yue was also known by the more widely recognized name"Pan An",which,to some extent,was even more influential than his real name.According to the available documents,"Pan An"already appeared at the latest in the first year of Guangde(763),the year when Du Fu composed The Bottom of the Flowers.The acceptance of"Pan An"is reflected in different literary genres.Specifiallg,in the Tang and Song dynasties,the influence of elegant literature was greater,while in the Yuan,Ming and Qing dynasties,popular literature became the main ground for the acceptance of"Pan An".Compared with the former,the influence of popular literature is more far-reaching,making"Pan An"almost become a national collective unconscious.

关 键 词：潘安 《花底》 接受 雅文学和俗文学 

分 类 号：I206.2[文学—中国文学]