论韩愈对传统赋体诗的超越  

Han Yu's Transcendence of Traditional Fu-style Poetry

作　　者：马怡茗 MA Yiming(Institute of Chinese Culture,Bejjing Language and Culture University,Bejjing 100083,China)

机构地区：[1]北京语言大学中华文化研究院,北京100083

出　　处：《惠州学院学报》2024年第5期62-70,共9页Journal of Huizhou University

摘　　要：韩愈作赋体诗的诗坛定论是片面的。韩愈的以赋为诗并非照搬赋法,而是师古创新,从赋中汲取适于诗歌的营养后熔铸改造以自树诗风。他以赋语入诗,却翻新用法,追求“奇”的风格与诗境。他借鉴赋体宏观性的描写角度和铺陈逻辑,具体内容刻画时又简去其繁冗的物象陈列,炼笔于有生动形象和丰富细节的画面呈现。他藉赋体的自信气度以重振中唐诗风,又舍弃其浮华幻想的内核,使社会现实成为诗歌关注的重心。The conclusion of Han Yu's Fu-style poetry is one-sided.Han Yu's use of Fu as poetry is not a direct copy of the Fu meth‐od,but rather an innovative approach that draws on the nutrients suitable for poetry from Fu and transforms it into his own poetic style.He incorporated prose into poetry,but also innovated its usage,pursuing a unique style and poetic realm.He drew inspiration from the macroscopic descriptive perspective and logical presentation of Fu,and simplified the cumbersome display of objects when depicting specific content,refining his pen to present vivid and detailed images.He revitalized the style of poetry in the mid Tang Dynasty through the confidence and magnanimity of his prose,while abandoning the core of his flashy fantasies,making social reality the focus of poetry attention.

关 键 词：韩愈 赋体诗 诗歌革新 

分 类 号：I207.2[文学—中国文学]