从大漆皮料到脱胎造型——福州漆艺在包袋设计上的髹饰技艺研究  

From Lacquer layer Material to Bodiless Forming techniques:A Study on theLacquer Decoration Techniques of Fuzhou Lacquer Art in Bag Design

作　　者：林晓华[1] LIN Xiao-hua

机构地区：[1]闽江学院,福建福州350108

出　　处：《中国生漆》2024年第3期11-15,共5页Journal of Chinese Lacquer

摘　　要：大漆材料本身与人类不同历史文化中所蕴含的精神美相互滋养,进而呈现出富有精神内涵的美感。漆器作为古代的奢侈品,如何在现代社会中重新找寻属于自己的一方天地成为当前福州漆艺新的奋斗方向。本文以福州漆艺为切入点,对漆艺在包袋面料和包袋造型上的髹饰技艺进行研究与实践。The material of lacquer itself nourishes the spiritual beauty contained in different historical and cultural contexts of humanity,therefore presenting a rich sense of spiritual beauty.As a luxury item in ancient times,how to rediscover its own role and development in modern society has become a new direction for the current Fuzhou lacquerware art.This article takes Fuzhou lacquer art as the starting point to study and practice the lacquer techniques art in bag fabrics and bag design.

关 键 词：福州漆艺 大漆皮料 脱胎 包袋 髹饰 

分 类 号：TB472[一般工业技术—工业设计] J527[艺术—艺术设计]