唐代织绣品中石榴纹样的艺术特征与文化意蕴  

Artistic characteristics and cultural implications of pomegranate patterns on textiles andembroideries in the TangDynasty

作　　者：麦佩玮 周颖青 王韦尧 张毅 MAI Peiwei;ZHOU Yingqing;WANG Weiyao;ZHANG Yi(School of Digital Technology and Innovation Design,Jiangnan University,Wuxi 214122,China)

机构地区：[1]江南大学数字科技与创意设计学院,江苏无锡214122

出　　处：《丝绸》2024年第11期122-129,共8页Journal of Silk

基　　金：教育部人文社会科学研究一般项目(21YJA760096);中国非物质文化遗产传承人研修培训计划项目(文非遗发[2017]2号);江苏省社会科学基金立项一般项目(19WMB040)。

摘　　要：织绣品上的石榴纹样初见于东汉,直至唐代才开始繁荣,并对后世的吉祥纹样创作产生了重要影响。本文以唐代织绣品中石榴纹样为研究对象,以考古出土的石榴纹织绣品为载体,结合文献、史料和古籍图像资料,从题材组合、造型表达及构图形式三个方面对石榴纹样的艺术特征进行分析与整理,进而揭示其文化意蕴。研究认为,石榴纹样的题材多为植物组合,呈现“花叶相伴”的多元性,果实造型表达圆润生动,构图形式匀称且稳定。在唐代丝路文化交流背景下,石榴纹样受到了西亚祆教和印度佛教文化的影响,体现了对生息不止的追求。在纹样本土化的过程中,石榴纹样融入了人们对丰产丰育的世俗祈盼,逐渐成为喜闻乐见的吉祥纹样。Pomegranates originated in western Asia and were later introduced eastwards to China.As the area of cultivation expanded,pomegranate patterns became widely used on a variety of decorative supports.The pomegranate patterns on embroideries first appeared in the Eastern Han Dynasty,but it was not until the Tang Dynasty that they began to flourish and had an important influence on the creation of auspicious designs in later generations.At present,the studies of the pomegranate patterns mainly focus on the porcelain support and pay little attention to embroideries.The study of pomegranate patterns in the Tang Dynasty embroideries is helpful in further understanding the dynamics of cultural exchange and the humanistic and historical background of the period,and in enriching the theoretical support for the study of auspicious patterns on the Tang Dynasty embroideries.The article takes the pomegranate patterns on the Tang Dynasty embroideries as a research object,collects and combs the pomegranate patterns unearthed by archaeology,and makes an in-depth study based on historical documents.First,it traces the origin of the pomegranate patterns to clarify the context of their introduction into China.Second,it analyzes and summarizes the artistic characteristics of pomegranate patterns on the Tang Dynasty embroideries from three aspects:theme combination,form expression,and compositional form.Finally,it analyzes the cultural implication of the pomegranate patterns on the embroideries from the perspective of cultural exchange along the Silk Road in the Tang Dynasty,combined with the background of the times and humanistic thought.Three major conclusions are drawn.First,the pomegranate patterns of the Tang Dynasty showed more diversified forms of expression than those of the previous dynasties,and were endowed with profound cultural implications against the background of the prosperity of the Silk Road culture,which promoted the development of auspicious patterns in the Tang Dynasty and influenced later generations.Second,pomeg

关 键 词：唐代织绣品 石榴纹样 艺术特征 文化意蕴 丝绸之路 吉祥纹样 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程] K876.9[历史地理—考古学及博物馆学]