一种有意味的形式:中国邮票整体形式设计的审美蕴涵嬗变  

A Meaningful Form:the Aesthetic Implication Evolution of the Overall Form Design of Chinese Stamps

作　　者：周韧[1] ZHOU Ren(School of Film-Television and Communication,Shanghai Normal University,Shanghai,200234)

机构地区：[1]上海师范大学影视传媒学院,上海200234

出　　处：《湖南包装》2024年第5期8-12,共5页

基　　金：国家社会科学基金艺术学重大项目(20ZD28)。

摘　　要：目前学术界对中国邮票图案设计的研究成果较为丰富,而对邮票以造型结构方式为主的形式美学研究不多。文章以此为视角,探讨了中国邮票历史发展过程中边纸、连票这些形式如何从独立元素演变成为邮票整体的审美趣味组成,直至成为“一种有意味的形式”。中国邮票的形式设计之发展嬗变也始终立足于本民族文化土壤与审美传统,并体现出设计形式与本土文化相适应、相结合的特点。The academia have rich research results on the pattern design of Chinese stamps,but there is little research on the formal aesthetics of stamps,which is mainly based on the shape structure.From this perspective,the paper discusses how the forms of edge paper and coupon evolved from independent elements to the whole aesthetic taste of stamps in the historical development process of Chinese stamps,until becoming"a meaningful form".The development and evolution of the formal design of Chinese stamps has always been based on the national cultural soil and aesthetic tradition,and reflects the design form and the combination of local culture.

关 键 词：形式美学 邮票 设计 

分 类 号：J524[艺术—艺术设计]