造园筑心:清代小说“造园”叙述的时代新变及文化隐喻  

Garden Building is the Writing of the Heart:New Changes of the Times and Cultural Metaphors in the Narrative of Garden Building in the Qing Dynasty’s Novels

作　　者：葛永海[1] 潘巨强 GE Yong-hai;PAN Ju-qiang(School of Humanity,Zhejiang Normal University,Jinhua 321004,Zhejiang)

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《陕西师范大学学报（哲学社会科学版）》2024年第5期118-130,共13页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金重点项目“游士叙事视角下的明清小说地图研究”(19AZW014)。

摘　　要：古代文学中的“造园”叙述随着造园技艺的迭代发展不断演进,至于清代,随着古典造园艺术之臻于极致,清代小说中的“造园”叙述亦空前丰富,“士人之隐逸”与“富贵之豫乐”成为此消彼长、影响深远的二重“造园”叙述模式。除了对于传统之承继,清代小说“造园”叙述表现更为明显的是应和着时代趋势的多重新变,具体表现于造园之结构、器物和境界三端,首先是从“随势赋形”到“规整布局”的结构之变,其次是从“习尚江南”到“推崇西艺”的器物之变,最后是从“悦己之境”到“济世之界”的境界之变。清代小说“造园”叙述的“三变”意味着从传统向近代的重大转型,具有重要的表征和隐喻意义。The narrative of garden building in ancient literature evolved with the iterative development of garden building techniques.In the Qing Dynasty,with the perfection of classical garden building art,the narrative of garden building in the Qing Dynasty’s novels was also unprecedentedly abundant.The retreat of scholars and the relaxation of the rich became the two narrative modes of garden building with profound influence.In addition to the inheritance of tradition,the narrative of garden building in the Qing Dynasty’s novels is also in line with the trend of the times.It is specifically performed in the structure,objects and realm of garden building.Firstly,the structure design of garden changes from making the best use of the environment to regular layout.The second is the change from learning the aesthetic norms of Jiangnan to respecting western arts,and the last is the change from pleasing self to caring about the outside world.The three changes in the narrative of garden building symbolize the great transformation from the traditional society to modern times,which has important representational and metaphorical significance.

关 键 词：清代小说 “造园”叙述 时代新变 文化隐喻 

分 类 号：I206.2[文学—中国文学]