置于发生学与现象学论域的“情—声”关系讨论  

The Discourses of“Affection-Sound”Relationship in Phylogenetics and Phenomenology

作　　者：韩锺恩[1] Han Zhong-en

机构地区：[1]上海音乐学院,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第4期4-18,共15页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：文章以“情—声”关系为中心,进一步勾连与牵扯感性结构力问题,并置于发生学与现象学论域,分别就“原始情感的纯粹音调”“原始美学规范想像”“有声信号传递超生物经验”“心理能量的物理释放”“现象学结构转换”“音乐作品的二重存在方式”“始端终端、他律自律、立美审美互动”“思—诗关系”“事—诗关系”“直观本质洞察”“相即”等问题进行讨论。This essay focuses on the relationship between“affection and sound,”further engages the issue of perceptual structure,and places them in the domain of phylogenetical and phenomenological theories.The author respectively discourses on the following issues:“pure tones of primitive emotions,”“primitive aesthetic norms of imagination,”“acoustic signal transmission of ultrabiological experience,”“physical release of psychological energy,”“phenomenological structure transformation,”“dual existence of music works,”“the interaction between beginning and terminal,heteronomy and self-discipline,and beauty establishment and aesthetic,”“thinking-poetry relationship,”“things-poetry relationship,”“intuitive essential insight,”and“interdependent relationship.”

关 键 词：“情—声”关系 感性结构力 发生学 现象学 

分 类 号：J601[艺术—音乐]