别现代主义、定性计算感与后人类音乐  

Bie-Modernism,Qualculative Sense,and Posthumanist Music

作　　者：孙月[1] Sun Yue

机构地区：[1]上海音乐学院,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第4期51-61,共11页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：上海高水平地方高校创新团队“史学与当代哲学视域中的音乐批评研究”资助成果。

摘　　要：定性计算感源自当代西方人文地理学研究,区别于传统意义上的数量计算,其旨在定义一种人类空间、环境数据与人的情感影响之间相互作用机制的性质计算。后人类音乐研究旨在从后人类主义视角出发,观察当代音乐中具有明显后人类特征的音乐艺术实践。别现代主义源自当代中国原创学术话语体系的“别现代”理论,根植文化主体性意识和开放包容的国际视野,具有显著的人文学批判精神与美学学科特性。探讨后人类音乐,在聚焦音乐自身的同时,也有必要关注其科技前因与哲学后果,需要以后人类音乐为中心,系统讨论其主要构成与艺术特征,揭示定性计算感作为其技术环境的前置条件,并进一步置于更宏观的别现代主义哲学语境中加以考察。中文科幻歌剧《七日》就是一个具有后人类特征的后人类主义音乐个例。The qualculative sense is derived from contemporary Western human geography,distinguishes itself from traditional quantitative calculation,and seeks to define a qualculation of the mechanism of interaction among human space,environmental data,and human emotional influence.The study of posthumanist music aims to look from a post-humanist perspective at music artistic practice with distinct post-humanist characteristics in contemporary music.Bie-Modernism is derived from the “bie-modern” theory of contemporary Chinese original academic discourse,rooted in cultural subjectivity and an open and inclusive international perspective,and has critical significance of humanity and disciplinary features of aesthetics.To explore posthumanist music,it is also necessary to pay attention to its technological causes and philosophical consequences.This paper introduces the elements and artistic features of the posthumanist music,reveals the qualculative sense as its technological precondition,and discusses it in the broader context of bie-modernist philosophy.This paper also discusses AI's Variation,a Chinese science fiction opera,as an example of posthumanist music.

关 键 词：后人类音乐 定性计算感 别现代主义 科幻歌剧 《七日》 

分 类 号：J601[艺术—音乐]