二胡音乐的历史、风格与文化样态  

The History,Style,and Cultural Patterns of Erhu Music

作　　者：任华清 Ren Huaqing

机构地区：[1]上海大学音乐学院,上海200444

出　　处：《音乐艺术（上海音乐学院学报）》2024年第4期101-111,共11页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年度国家社科基金艺术学重大项目“中国少数民族器乐艺术研究”阶段性成果,项目批准号:21ZD20。

摘　　要：二胡音乐在中国新音乐的历史与文化语境中孕育、发展,走出了一条从乡野到殿堂、从民间到专业的发展轨迹,呈现出从“民间文化”转向“现代文化”的总体路径。在这个不断专业化、现代化的历史进程中,二胡音乐又呈现出不同的音乐风格与文化样态:表现特定题材内容、具有特定地区民间音乐风格的二胡音乐及其“地域文化”样态;基于“器乐演奏声腔化”的二胡音乐及其“声乐文化”样态;沉醉于古代文人艺术境界、力图表现文人风格的二胡音乐及其“文人文化”样态;旨在“跨界”和追求商业利益的流行风格二胡音乐及其“大众文化”样态。Developing along with the history and culture of China's new music,Erhu music has moved from the countryside to the court and from folk music to professional music,marking an overall transition from “folk culture” to “ modern culture.” In addition,diverse styles and cultural patterns have emerged in the professionalization and modernization of erhu music.There are “regional” erhu music featuring with specific subjects and folk traits,“vocalized” erhu music characterized by “vocalization of instrumental performance,”the “literati” erhu music rooted in ancient literature and arts,and the “popular” erhu music that pursues being“crossover” and commercially successful.

关 键 词：二胡音乐 历史发展 音乐风格 文化样态 

分 类 号：J632.21[艺术—音乐]