上海音乐学院新生代作曲家的民族器乐创作  

The Creations of National Instrumental Music by the New-generation Composers of the Shanghai Conservatory of Music

作　　者：刘灏[1] Liu Hao

机构地区：[1]上海音乐学院民族音乐系,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第4期173-181,共9页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年度国家社科基金艺术学重大项目“中国少数民族器乐艺术研究”阶段性成果,项目批准号:21ZD20。

摘　　要：在中国民族器乐的百年历史发展中,上海音乐学院作曲家作出了重要贡献。进入新时代,上海音乐学院新生代作曲家的民族器乐创作,在音乐形象上展现出要素的离散与聚合,在组织形态上体现出叠构与多重性,在文化意象上则显露出对传统的观照与多元取向,凸显其对民族乐器及其音色、艺术表现功能的独特理解,也呈现出民族器乐诠释和中国传统文化传承的独特手法,并藉此拓展民族器乐的艺术表现空间,使一百年来的民族器乐及改革开放以来的现代民族器乐焕发出新时代的艺术魅力。Composers at the Shanghai Conservatory of Music(SHCM) have made important contributions to the century' s development of Chinese national instrumental music.Since the start of the new era,national instrumental music composed by the new generation of composers at SHCM has shown discrete and aggregative features in image,superimposition and multiplicity in form,and a traditional yet diverse perspective in culture.All of these show their unique understanding of national musical instruments,sounds,and artistic performance.These creations have also reflected attractive ways of interpreting traditional Chinese culture,widened the instrumental expression,and given the traditional instruments charms of the new era.

关 键 词：上海音乐学院 新生代作曲家 民族器乐创作 

分 类 号：J614[艺术—音乐]