从形态模拟到审美表达——基于中国传统器乐的中国钢琴音乐创作  

From Morphological Simulation to Aesthetic Expression——Creating Chinese Piano Music Based on Traditional Chinese Instrumental Music

作　　者：王海垠[1] Wang Haiyin

机构地区：[1]沈阳音乐学院附中,沈阳110169

出　　处：《音乐艺术（上海音乐学院学报）》2024年第4期182-192,共11页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：中国钢琴音乐创作移植改编于中国传统器乐曲,模仿中国民间乐器音色,引用中国传统器乐曲音调作为音乐主题,摘取中国传统乐曲的特性音级构建音高组织,体现中国传统乐曲的节奏,营造中国传统器乐中那种“空灵”和“充实”的审美境界,其从形态模拟到审美表达,呈现出对中国传统器乐的继承。正因如此,中国钢琴音乐体现出基于中国传统器乐的“中国性”。Chinese piano music transplants and adapts from the traditional Chinese instrumental music,imitates the timbre of instruments,quotes their themes,extracts characteristic scale degree to organize pitches,and reflects the traditional rhythm based on the aesthetic realm of “ethereality” and “fullness.” All these elements show an inheritance of traditional Chinese instrumental music from morphological simulation to aesthetic expression.It is for these reasons that the Chinese piano music successfully embodies the “Chineseness” of the original instrumental pieces.

关 键 词：中国钢琴音乐 中国传统器乐 形态模拟 审美表达 

分 类 号：J624.1[艺术—音乐]