悲剧性的时代转化与主流话语规训——小说《人生》电视剧改编的悲剧审美改造  

Tragic Epochal Transformation and Dominant Discourse Discipline:Aesthetic Reconstruction of Tragedy in the TV Adaptation of the Novel"Life"

作　　者：高超 GAO Chao(Tianjin University of Commerce Boustead College,Tianjin,300384;School of Humanities,Communication University of China,Beijing,100024)

机构地区：[1]天津商业大学宝德学院,天津300384 [2]中国传媒大学人文学院,北京100024

出　　处：《贵州师范学院学报》2024年第10期77-84,共8页Journal of Guizhou Education University

摘　　要：悲剧性作为时代文艺创作的显性表征和重要标识,是判断文艺作品内涵和艺术审美取向的关键要素。优秀文艺作品呈现出超越时代、引领社会、体现鲜明的人文观照的共性特征,也往往多源于其在取材立意、叙事建构、主题阐扬等层面对悲剧性表达的重视。路遥小说《人生》的相关影视剧创作,一方面继承了原著文学精神,另一方面也实现了悲剧性内涵的主流话语规训和时代创新转化。电视剧《人生之路》实现了“人民性”文艺精神追求与主流文化题旨表达的美学合流,显示出对悲剧性美学表达的创作信心。Tragedy,as a prominent representation and crucial signifier of artistic creation in an era,serves as a key element in assessing the connotations and artistic aesthetic orientations of literary works.The common characteristics of outstanding literary and artistic works,which transcend the times,lead the society,and embody distinctive humanistic views,often stem from the importance they attach to the expression of tragedy at the levels of material selection,narrative construction,and thematic elaboration.The creation of films and TV dramas related to Lu Yao's novel"Life"has,on the one hand,inherited the literary spirit of the original novel and,on the other hand,realized the mainstream discourse discipline and innovative transformation of the tragic connotation of the times.The TV drama"The Road of Life"realizes the aesthetic convergence of the pursuit of the"people-oriented"literary spirit and the expression of mainstream cultural themes,demonstrating the creative confidence in the aesthetic expression of tragedy.

关 键 词：悲剧性 主流话语 主题变奏 调性转化 

分 类 号：I247[文学—中国文学]