仪式·记忆·形象:《大公报》《香港文汇报》文艺副刊国庆叙事研究(1997—2022)  

Ritual,Memory and Imagery:A Study of the National Day Narrative in the Literary Supplements to Ta Kung Pao and Wenhui Po(1997-2022)

作　　者：骆江瑜 Luo Jiangyu

机构地区：[1]华南师范大学文学院

出　　处：《华文文学》2024年第5期27-36,共10页Literatures in Chinese

基　　金：国家社科基金重大项目“香港当代报章文艺副刊整理与研究(1949—2022)”,项目编号:22&ZD276;华南师范大学审美文化与批判理论研究中心、华南师范大学粤港澳大湾区跨界文化研究中心的研究成果。

摘　　要：国庆节是香港地区重要的法定假日。《大公报》《文汇报》文艺副刊自1997年香港地区回归后,便坚持“爱港者治港”的方针政策,以“私人”与“公共”的互训、历史与现实的勾连、“副文本”与“正文本”的同声共振完成中央政权的合法性建构与权力宣展,共同构成、补充25年来香港地区文学国庆叙事的另一面向。国庆叙事通过仪式共享和文化再造,既强化了地方认同、国族认同、文化认同,为国家建设、主体回归、文化记忆等话语建构提供了有效的资源和载体,也进一步表征了回归后中华优秀传统文化在香港地区的创造性转化和创新性发展,呼应大湾区一体化国家战略。National Day is an important legal holiday in Hong Kong.Since Hong Kong was returned to China in 1997,the literary supplements to Ta Kung Pao and Wenhui Po,based on the policy of Hong Kong being governed by the lovers of Hong Kong,with the mutual discipline of the private and the public,the connection of history with reality,and the resonance of main texts and sub-texts,have accomplished the legalized construction and promotion of the central regime,jointly composing and supplementing another orientation of the National Day Narrative in Hong Kong literature over the last 25 years.The National Day narrative,by way of ritualistic sharing and cultural re-creation,not only reinforces place identity,national identity,and cultural identity,providing an effective source and carrier for the construction of nation-building,subject return and cultural memory,but also further represents the creative transformation and innovative development of the superior Chinese culture in the Hong Kong region after its return,echoing the integrated national strategy of the Greater Bay Area.

关 键 词：香港地区文学 文艺副刊 国庆节 文化记忆 《大公报》 《文汇报》 

分 类 号：I206[文学—中国文学]