清至民国时期印江白皮纸生产与纸文化传承  

The Production of Yinjiang Bai Pi Paper and the Inheritance of Paper Culture from the Qing Dynasty to the Republic of China

作　　者：邹潇逸 严奇岩[1] ZOU Xiao-yi;YAN Qi-yan(School of History and Political Science,Guizhou Normal University,Guiyang,Guizhou 550025,China)

机构地区：[1]贵州师范大学历史与政治学院,贵州贵阳550025

出　　处：《贵阳学院学报（社会科学版）》2024年第5期87-92,共6页Journal of Guiyang University:Social Sciences

基　　金：国家社科基金重点项目“云贵地区历代竹枝词资料搜集整理与研究”(项目编号:19AZD034)。

摘　　要：中国手工造纸历史悠久。印江合水地区的造纸技术是中国传统手工造纸技术的缩影,所产白皮纸质地优良,具有抗拉力强、不易腐、耐摩擦、质地柔韧等特点。清代是印江纸业的上升期,白皮纸不仅是当地居民的日常生活用纸,还被政府纳用,做“贡纸”与贵州乡试用纸。至民国时期,印江白皮纸的发展达到顶峰,所产白皮纸远销湖南、四川、南京等地,经济效益的提高带动了当地人民的造纸积极性,亦推动了印江纸伞、焰火架、书法文化等地方文化的发展,是民间文化谱系的生动体现,对当地文化及经济发展意义深远。China has a long history of handmade papermaking.The papermaking technology in the Yinjiang Heshui area is a miniature of traditional Chinese handmade papermaking technology.Bai Pi paper produced in this area had excellent quality,with strong tensile strength,resistance to decay,friction resistance,and a flexible texture.The Qing Dynasty was a period of growth for the paper industry in Yinjiang,where Bai Pi paper was not only used by local residents in their daily lives but also adopted by the government as"tribute paper"and used for the Guizhou provincial examinations.By the time of the Republic of China,the development of Yinjiang Bai Pi paper had reached its peak and was exported to Hunan,Sichuan,Nanjing,and other regions.The improvement of economic benefits stimulated the enthusiasm of local people for papermaking,and also promoted the development of local cultural practices such as Yinjiang paper umbrellas,fireworks racks,calligraphy,and other cultural practices.It is a vivid reflection of the pedigree of folk culture and has profound significance for local cultural and economic development.

关 键 词：清至民国时期 手工造纸 印江白皮纸 纸文化 

分 类 号：TS756[轻工技术与工程—制浆造纸工程]