新世纪小说创作的三个转向  

Three Changes of Novel Creation in the New Century

作　　者：竺建新[1] 徐欣兰 ZHU Jianxin;XU Xinlan(School of the Humanities,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学人文学院,浙江杭州311121

出　　处：《济宁学院学报》2024年第5期77-83,共7页Journal of Jining University

摘　　要：不同时期的文学创作,往往会呈现出不同的创作特征。新世纪以来的小说创作大致呈现三个转向:一是文学资源的本土化;二是叙事内蕴的微观化;三是叙事策略的轻逸化。这三个转向彰显了新世纪小说创作上新的发展轨迹。但无论是何种转向,新世纪作家都不可能彻底摒弃以往的文学经验。只有妥善处理好“西方”与“传统”“宏大”与“微观”“轻”与“重”等多重关系,新世纪才能出现具有自身特色的优秀文学。Literary creation in different periods often presents different creative characteristics.Since the beginning of the new century,the creation of novels has roughly presented in three directions:the first is the internal transformation of literary resources;the second is the micro level of narrative connotation;the third is the lightness of narrative strategies.These three turns demonstrate a new development trajectory in the creation of novels in the new century.But for whatever turn,writers of the new century cannot completely abandon their past literary experience.Only by properly handling the multiple relationships between“Western”and“traditional”,“grand”and“micro”,“light”and“heavy”,can good literature with its own characteristics emerge in the new century.

关 键 词：新世纪小说 创作 转向 

分 类 号：I206.7[文学—中国文学]