“时间意外性”的多维透视——论德里达对《罗密欧与朱丽叶》的阐释  

The Multidimensional Perspective of“Contretemps”:Derrida's Interpretation of Romeo and Juliet

作　　者：陶金 Tao Jin(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海市200234

出　　处：《文艺理论研究》2024年第4期131-140,共10页Theoretical Studies in Literature and Art

摘　　要：文学阐释在德里达的思想中起着落实解构策略、开拓解构维度的作用。德里达在解读莎士比亚的经典戏剧《罗密欧与朱丽叶》时,挖掘了戏剧中的多个时间意外性(contretemps)的场景,通过时间、专名、反讽这几个向度围绕“时间意外性”展开了精彩的阐释,并以三个不同的裂缝回答了意义生成的可能性条件这一问题。德里达的阐释在时间维度上讨论了时间与空间的裂缝,在专名维度上讨论了专名与承担者间的裂缝,在反讽维度上讨论了有限与无限的裂缝。这三个维度事实上互相交织在一起,构成了一个完整的对“时间意外性”的多维透视。Literary interpretation is understood by Derrida as the process of implementing the strategy of deconstruction and expanding the dimension of deconstruction.When Derrida interpreted Shakespeare's classic play Romeo and Juliet,he unearthed several scenes of contretemps in the play,unfolded a wonderful interpretation of“contretemps”through the dimensions of time,proper name and irony,and addressed the question of the possible condition for the generation of meaning through the analysis of three different disjunctions.Derrida's interpretation explores the disjunction between time and space in the dimension of time,the disjunction between the proper name and the bearer in the dimension of the proper name,and the disjunction between finitude and infinity in the dimension of irony.These three dimensions are intertwined to create a complete multidimensional perspective of the“contretemps.”

关 键 词：德里达 《罗密欧与朱丽叶》 时间意外性 时间 专名 反讽 

分 类 号：I561.073[文学—其他各国文学]