空间视域下电影《麦克白》中的“醉”与“罚”  

"Drunkenness" and "Punishment" in the Film Macbeth from a Spatial Perspective

作　　者：杨运 王健芳 YANG Yun;WANG Jianfang(Moutai Institute,Renhuai Guizhou,564507,China;Central South University,Changsha Hunan,410083,China)

机构地区：[1]茅台学院,贵州仁怀564507 [2]中南大学,湖南长沙410083

出　　处：《文化创新比较研究》2024年第27期13-17,共5页Comparative Study of Cultural Innovation

基　　金：2022年贵州省“金课”“线上线下混合一流课程”(项目编号:2022238)。

摘　　要：威廉·莎士比亚是英国文艺复兴时期伟大的诗人和戏剧家,其创作除早期的诗歌外,主要是用无韵体写的诗剧37部。《麦克白》作为莎士比亚创作的经典之一,在不同文化语境下被多次改编成电影,其中2015年由贾斯汀·库泽尔执导的电影版本尤为引人注目。这部电影以鲜明的色彩和凄婉的配乐,再现了剧中人物的命运,以及权力与欲望的交织。该文从物质空间、精神空间和社会空间等方面,以酒为切入点,旨在通过对电影中“醉”与“罚”的探讨,揭示麦克白及其夫人在对权力的追求过程中心灵深处的挣扎与觉醒,从而探讨人类在拓展自己的欲望空间时,应以道德为基准找到节制和平衡。William Shakespeare is a great poet and playwright of the English Renaissance,whose works consist of poetry and 37 plays written in unrhymed verse.Macbeth,as one of Shakespeare's classic works,has been adapted multiple times in different cultural contexts,and Macbeth directed by Justin Kuzel in 2015 is particularly eye-catching.This film,with its vivid colors and poignant background music,reproduces the fate of the characters in the play,as well as the interweaving of power and desire.This paper aims to explore the relationship between Macbeth's pursuit of power and human desire control through the exploration of“drunkenness”and"punishment"in the movie from the perspective of material space,spiritual space,and social space,in order to unveil the internal struggles and awakenings of Macbeth and his wife in their pursuit of power,exploring how humans should use morality as a benchmark to find restraint and balance while expanding their desires.

关 键 词：威廉·莎士比亚 酒 命运 《麦克白》 醉与罚 空间 

分 类 号：J905[艺术—电影电视艺术]