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作 者:陈紫鑫 CHEN Zi-xin(School of Chinese Language and Literature,Shaanxi Normal University,Xi’an 710119,China)
出 处:《山东女子学院学报》2024年第6期99-107,共9页Journal of Shandong Women's University
摘 要:自《诗经》《楚辞》起,抒情一直是中国文学核心的、持续的主题。短篇小说的形式、注重情感的创作方法与女性话语的呈现使70后女作家的创作灵动自在,具有抒情文学的特质。首先,70后女作家以内视角的叙述方式,通过个人化的写作手法在文本中塑造了孱弱型抒情自我与成长型抒情自我两种抒情主体形象,传达了作者的生命情感体验。其次,70后女作家通过敏锐的洞察力探索女性面对的精神与现实困境,于生命幽微处书写女性精神世界,展现了女性在社会和家庭中所承受的压力与挑战,记录了社会发展带来的时代病症以及女性在面对现实问题时的焦虑。最后,70后女作家借鉴中国传统文学如世情小说手法、“兴”表达技巧、《红楼梦》传统、古典诗学等,使文本情感更为饱满,也更为成熟。Lyricism has been a central and continuous theme in Chinese literature since The Book of Songs and the Chu Ci.The form of short stories,the creative method focusing on emotion and the presentation of female discourse have made the creations of“post-70s”women writers dynamic and free,with the qualities of lyrical literature.First of all,the“post-70s”female writers have created two images of lyrical subjects,the weak lyrical self and the growing lyrical self,in the text through personalized writing techniques in the form of internal perspective narration,which conveys the authors’emotional experience of life.Secondly,“post-70s”female writers explore the spiritual and practical difficulties faced by women through keen insight,write about the spiritual world of women in the subtleties of their lives,show the pressure and challenges women face in society and family,and record the symptoms of the times brought about by the development of the society as well as women’s anxieties in the face of the realities of the problems.Finally,the“post-70s”women writers draw on traditional Chinese literature,such as the techniques of worldly love novels,the technique of“Xing”expression,and the tradition of Dream of Red Mansions,and the integration of classical poetics into the text has also made the text more emotionally fulfilling and more mature.
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