正确处理戏曲现代转型中的四组关系  

Properly Handling Four Relationships in the Modern Transformation of Xiqu

作　　者：郭宇[1] GUO Yu

机构地区：[1]上海戏剧学院戏曲学院

出　　处：《戏剧艺术》2024年第5期50-57,共8页Theatre Arts

基　　金：上海高校特聘教授(东方学者)岗位计划资助。

摘　　要：在戏曲现代化的过程中,需要面对的核心问题就是如何将现代理念融入戏曲表达,以实现形式与内容的协调。不同于其他领域,对于文化,特别是对于戏曲艺术而言,绝不可能搞釜底抽薪似的重构。在戏曲现代转型的过程中,我们需要正确处理以下四组关系:一、故事性表达与技巧性表现需要同时强化、相得益彰;二、“情感反应”与“情绪表达”需要迭代推进;三、曲唱、念白重回现代戏曲结构之中心的过程中,需要克服“话剧加唱”的弊端;四、可以借鉴斯坦尼斯拉夫斯基体系角色内心体验的表演方法,但需要做到体验生活与追求“戏曲味”的平衡,坚守戏曲艺术本体。The core issue in the modernization of Xiqu is how to integrate modern concepts into Xiqu expression to achieve harmony between form and content.Unlike other fields,culture,especially Xiqu art,cannot undergo a radical reconstruction.During the modern transformation of Xiqu,four key relationships need to be properly managed.First,the narrative expression and technical performance should be simultaneously strengthened and complement each other.Secondly,“emotional response”and“emotional expression”need to be iteratively advanced.Thirdly,in the revival of singing and recitation as central elements in modern Xiqu structure,the drawback of“Huaju with singing”need to be overcome.Fourthly,the Stanislavski system's method of character inner experience can be borrowed,but a balance between life experience and“the Xiqu flavor”must be maintained.

关 键 词：现代化 表演形态 本体特质 现代戏曲 

分 类 号：J80[艺术—戏剧戏曲]