论写意精神在当代戏曲现代戏舞台美术中的转化  

On the Transformation of the Suggestive Spirit in Stage Art of Modern Theatre in Contemporary Chinese Xiqu

作　　者：伊天夫[1] YI Tianfu

机构地区：[1]上海戏剧学院舞台美术系

出　　处：《戏剧艺术》2024年第5期58-69,共12页Theatre Arts

基　　金：2020年度国家社科基金艺术学重大项目“新中国舞台美术发展研究”(20ZD22)的阶段性成果。

摘　　要：戏曲现代戏繁荣的背后,舞台美术起到了关键作用。它不仅丰富了舞台表现,还深化了戏剧内涵。写意精神作为中国艺术的思维方式、美学追求与表现手法,旨在通过具象与抽象的结合传达深层意蕴。戏曲现代戏舞台美术中的写意精神,在传统、现代、当代三个维度均有应用与创新。无论是传统、现代还是当代的写意,其核心都是通过外物之“象”传达艺术家的深层之“意”,在形神兼备中传达作品的精神实质。当代写意更是扩展了表达边界,融合跨界合作、新媒体技术等,强调观念的传达与艺术力量的展现,体现出更加开放和包容的艺术态度。写意精神在戏曲现代戏舞台美术中应用广泛,展示了其作为中国艺术独特标识的持续生命力与创新可能。The prosperity of modern theatre in contemporary Chinese Xiqu is closely linked to the crucial role of stage art,which not only enriches stage expression but also deepens the theatrical meaning.The suggestive spirit,as a way of thinking,aesthetic pursuit,and expressive technique in Chinese art,aims to convey deep meanings through a combination of the concrete and the abstract.In the stage art of modern theatre in contemporary Chinese Xiqu,the suggestive spirit is applied and innovated across traditional,modern,and contemporary dimensions.Whether in traditional,modern,or contemporary suggestive spirit,the core lies in conveying the artist's deep intentions through the“image”of external objects,capturing both form and spirit to express the essence of the work.Contemporary suggestive spirit further expands the boundaries of expression,integrating cross-disciplinary collaboration with new media technologies,and emphasizing the conveyance of ideas and the display of artistic power,reflecting a more open and inclusive artistic attitude.The widespread application of the suggestive spirit in the stage art of modern theatre in Xiqu demonstrates its enduring vitality and potential for innovation as a distinctive marker of Chinese art.

关 键 词：写意精神 舞台美术 戏曲现代戏 当代性 中国文化 

分 类 号：J80[艺术—戏剧戏曲]