新剧入中国台湾:上海民兴社赴台演出及意义  

Xinju's Entry into Taiwan China:Shanghai Minxing Society's Performance Tour in Taiwan,China and Its Significance

作　　者：简贵灯[1,2] JIAN Guideng

机构地区：[1]福建师范大学文学院 [2]福建师范大学闽台区域研究中心

出　　处：《戏剧艺术》2024年第5期90-92,93-104,I0003,共16页Theatre Arts

基　　金：国家社科基金艺术学一般项目“台湾京剧演剧史论及编年(1895—1945)”(22BB026)的阶段性成果。

摘　　要：新剧(文明戏)的研究以起源地上海为主,其他地区并不多见。上海民兴社是日本侵占我国台湾地区时期唯一赴台巡演的新剧戏班,它播下了新剧的种子,对我国台湾地区的话剧转型产生深远的影响。然而戏剧史著关于民兴社赴台演出这一重要戏剧事件的记载失之简单,相互抵牾,对于该社之福建巡演、赴台动因、行旅路线、演出剧目、演剧特色及意义价值至今仍不明朗。依托报刊、戏单、广告等第一手文献,考证民兴社赴台演出的前因后果,探究其对台湾地区话剧的影响,并回应台湾地区新剧起源这一戏剧史上的重要命题,具有重要的学术意义。Research on Xinju(Civilized Drama)has mainly centered on its origin in Shanghai,with little attention to other regions.Shanghai Minxing society was the only Xinju troupe to Taiwan,China during the Japanese occupation of the island,sowing the seeds of Xinju and significantly influencing the transformation of Taiwan region Huaju.However,books on the history of drama often oversimplify this important event,presenting conflicting accounts and leaving unclear details regarding the society's Fujian tour,the motivations for its Taiwan tour,its travel routes,performance repertoires,theatrical characteristics,and the significance of its performances.By relying on firsthand sources such as journals,playbills,and advertisements,this study aims to examine the background and consequences of the Minxing society's tour in Taiwan China,explore its impact on Taiwan residents Huaju,and address the critical issue of the origins of Xinju in Taiwan,thus contributing valuable insights to theatrical scholarship.

关 键 词：上海民兴社 新剧 台湾话剧 日本侵占时期 

分 类 号：J80[艺术—戏剧戏曲]