明代徽州戏曲刻书考论  

A Study on Ming Dynasty Xiqu Book Printing in Huizhou

作　　者：张慧子 ZHANG Huizi

机构地区：[1]安徽师范大学文学院

出　　处：《戏剧艺术》2024年第5期176-192,共17页Theatre Arts

摘　　要：徽州是明代的重要刻书中心之一。明代徽州戏曲刻书起步稍迟,但发展迅猛,并繁荣一时。从现存刊本来看,徽州戏曲刻书始于嘉靖后期,至万历年间达到鼎盛,天启崇祯年间趋于衰落。在新安理学的背景下,徽州戏曲刻书多出于教化的目的,以刊刻劝善类作品为主;戏曲版画风格由粗犷古朴转向精致秀雅;作品选择呈现复古北曲到南北并举,这些共同构成徽州戏曲刻书的地域特征。徽州戏曲刻书不仅促进了戏曲交流和传播,也为戏曲史研究保留了大量的善本和珍贵的文献资料。Huizhou was one of the important printing centers in the Ming dynasty.Although Xiqu book printing in Huizhou started late,it developed rapidly and flourished for a time.Existing editions show that Huizhou Xiqu book printing began in the late Jiajing period,peaked during the Wanli period,and declined during the Tianqi and Chongzhen periods.Under the influence of Neo-Confucian Thought of Xin'an,Huizhou Xiqu book printing was mostly for educational purposes,mainly publishing works promoting morality.The style of Xiqu illustrations evolved from rough and archaic to refined and elegant.The selection of works showed a transition from reviving Northern Xiqu to a combination of Northern and Southern Xiqu,collectively forming the regional characteristics of Huizhou Xiqu book printing.Huizhou Xiqu book printing not only promoted the exchange and dissemination of Xiqu but also preserved a large number of rare editions and valuable documentary materials for Xiqu history research.

关 键 词：明代 徽州 戏曲刻书 戏曲版画 

分 类 号：J80[艺术—戏剧戏曲]