胜景与私谊:白居易的曲江游观与创作研究  

Public Space and Private Friendship:Research on Bai Juyi's Poetry Creation about Qujiang Pool

作　　者：徐畅[1] Xu Chang

机构地区：[1]北京师范大学历史学院,北京100875

出　　处：《中国高校社会科学》2024年第6期131-141,157,共12页Social Sciences in Chinese Higher Education Institutions

基　　金：北京市社科基金青年学术带头人项目“碑志题刻与唐代京畿(首都圈)县域治理研究”(24DTR071);北京师范大学历史学院青年教师发展资助项目阶段性成果。

摘　　要：隋大兴-唐长安在城市东南角开凿了公共风景区曲江池。曲江既是皇家宴饮空间,科举官僚礼仪、交游空间,也是普通民众的活动空间。围绕曲江的诗歌创作可称为“曲江诗”,创作主体主要是文人官僚,具代表性者如杜甫与白居易。白居易的曲江诗数量可观,内容丰富,大致可归为独行诗和以曲江为纽带的交游诗(含忆同游、记同游、招同游主题),后者的比重远超前者。梳理相关诗作,可还原以白居易为代表的中唐文官群体通过在公共空间游观活动塑造私人友谊、缔结社会关系的情况。相比盛唐杜甫借曲江寄托家国兴衰的作法,白居易等则将这一公共景观作为融入都城精英文化圈的纽带、记录个体宦途升沉的符号。由此可见中唐文官在家国之外私人意志的凸显,以及曲江不同于其他时代的社会文化内涵。During Sui and Tang dynasties,a public scenic area called Qujiang(曲江)Pool was excavated in the southeast of Chang'an City.Qujiang had multiple attributes and was open to the royal family,imperial examination officials and ordinary people.The poetry creation around it was mainly created by literati bureaucrats.As a representative,Bai Juyi's Qujiang poems can be classified as solo poetry and social poetry.By classification,the fact that literati bureaucrats of Middle Tang shaped private friendship in public space can be restored,which was different from Du Fu's approach of showcasing the rise and fall of Tang Empire through Qujiang.

关 键 词：曲江 白居易 中唐 交游 创作 

分 类 号：K242.3[历史地理—历史学]