风:从自然现象到文艺学范畴  

Wind:From a Natural Phenomenon to a Subject of Literature and Art

作　　者：陈启远 倪可可 CHEN Qiyuan;NI Keke(School of Chinese Language and Literature,Beijing Language and Culture University,Beijing 100083,China)

机构地区：[1]北京语言大学文学院,北京100083

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2024年第6期53-61,共9页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

基　　金：北京市社会科学基金青年学术带头人项目“出土《诗》类文献研究”(项目编号:21DTR035);北京语言大学校级科研项目(中央高校基本科研业务专项资金)“现存《永乐大典》本宋元别集研究”(项目编号:23ybb05)。

摘　　要：“风”作为中国文化的一个关键词,本是一种自然现象,后又衍生出一系列文艺学概念。音乐与自然风密切相关,“风”本身可以解释为“音”“声”“乐”“歌”,《诗经·国风》之“风”应理解为音乐,“邦风(国风)”指各邦国之音乐;魏晋时期流行以“气”品评人物,而“气”与“风”具有相通之处,“风”也由此被引入人物品评与文学评论,进而启发了“风格”概念的产生;而“风骨”之“风”之所以可以表现鲜明爽朗的思想感情,同样与“风”和“气”在意义上的相通密不可分。“Wind,”as a key term in Chinese culture,initially represents a natural phenomenon,which has subsequently evolved into a series of concepts in literary and artistic studies.Music is intricately linked to natural wind;“wind”itself can be interpreted as“sound,”“music,”or“song.”In the Book of Songs(诗经),the term“wind”should be understood as music,while“Guofeng”,namely,the wind of each state,refers to the musical styles of various regions.During the Wei and Jin Dynasties,character evaluation became prevalent through the concept of“Qi”(气),which has significant parallels with“wind.”This connection facilitated the incorporation of“wind”into character evaluation and literary criticism,ultimately leading to the emergence of the concept of“Fengge”(style).Moreover,the notion of“wind”in“Fenggu”(vigor and rigor)can vividly convey bright thoughts and emotions,closely linked to its shared meanings with“Qi”(气).

关 键 词：风 风诗 风格 风骨 

分 类 号：I206.09[文学—中国文学] C91-09[经济管理]