从香山饭店到苏州博物馆——重读贝聿铭的跨文化建筑原型探索  

From the Fragrant Hill Hotel to the Suzhou Museum --Rereading I.M.Pei's Transcultural Exploration on the Architectural Archetype

作　　者：范路[1] FAN Lu

机构地区：[1]清华大学建筑学院,北京100084

出　　处：《建筑学报》2024年第9期127-134,共8页Architectural Journal

摘　　要：试图从贝聿铭的核心意图出发,重读香山饭店这一在中国现代建筑发展历程中极其重要但又富有争议的作品,分析其形式空间逻辑,再认识贝聿铭对于建筑原型的跨文化探索.在实地调研、文献解读和建筑语言比对的基础上进行综合判断,发现贝聿铭在香山饭店中尝试将东西方3类原型进行复合与重构;而这3类原型的综合在他晚年设计的美秀美术馆和苏州博物馆项目中依然有所体现.Starting with I.M.Pei's essential intention,this paper analyzes the formal and spatial logic of the Fragrant Hill Hotel and reassesses Pei's transcultural exploration on the architectural archetypes.Based on the synthetic judgement of field survey,literature review and architectural language comparison,this paper considers that in the design of the Fragrant Hill Hotel I.M.Pei tried to combine three kinds of architectural archetypes-traditional Suzhou gardens and dwellings,castles in UK,and European villas.And the comprehensive application of those archetypes could also be recognized in the projects of Miho Museum and Suzhou Museum.

关 键 词：贝聿铭 建筑原型 跨文化探索 香山饭店 美秀美术馆 苏州博物馆 

分 类 号：TU-86[艺术—艺术设计]