浅谈重彩山水画的色彩表现  

On the Color Expression of Heavy-color Landscape Paintings

作　　者：孟茹 赵家铭 MENG Ru;ZHAO Jiaming(Jingdezheng University,Jingdezhen 333400,Jiangxi,China)

机构地区：[1]景德镇学院,江西景德镇333400

出　　处：《景德镇学院学报》2024年第4期131-136,共6页Journal of JingDeZhen University

摘　　要：魏晋南北朝时期,宗炳对绘画的颜色就有了一定的认识。本文从山水画“随类赋彩”的理论出发,解析中国传统绘画中对于“赋彩”的理论含义。尝试探讨重彩山水画的色彩表现。其次,分析了历代重彩山水画的色彩特点及其受到各种环境因素影响而不断发展与变革的规律性特征,然后,通过分析不同画家的作品,探究在色彩观念转变和材料变革下现代重彩山水画的色彩表现。最后,总结重彩山水画色彩变迁的规律性特征的同时强调现代意义下的色彩观念。Zongbing,a painter who spanned over the dynasties of Wei,Jin and the Southern and Northern Dynasties,sheds on us some insights into the philosophy of color in paintings.Based on the theory of“coloring based on classification”in landscape painting,this paper first analyzes the theoretical connotation of"fucai"in traditional Chinese paintings,with the expectation of revealing the color expression forms of heavy-color landscape paintings.And next,it discusses the color characteristics of the heavy-color landscape painting of the past dynasties and the rules of their development under the influence of various environmental factors.Then,by studying different painters'works,it researches into the color expression of modern heavy-color landscape painting in the context of the changing concept of color and the materials concerned.Finally,a summarization was done of the rules of color change in landscape paintings and much emphasis was thrown on the color concept in the modern sense.

关 键 词：重彩 山水画 随类赋彩 色彩变化 

分 类 号：J212[艺术—美术]