五邑侨乡祠堂建筑植物装饰纹样研究  

A Study of Plant Decorative Patterns for Ancestral Halls in Wuyi Region

作　　者：伍晓茵 温为才[1] WU Xiao-yin;WEN Wei-Cai

机构地区：[1]五邑大学艺术与设计学院,广东江门529020

出　　处：《五邑大学学报（社会科学版）》2024年第4期7-11,90,共6页Journal of Wuyi University(Social Sciences Edition)

基　　金：广东省哲学社科学规划2023年度一般项目“清代至民国五邑乡村祠堂建筑纹样整理与审美变迁研究”(批准号:GD23CYS12);广东省哲学社会科学规划2024年度一般项目“基于旅游产业发展的广东乡村植物景观适应性设计研究”(批准号:GD24CYS11)的部分成果。

摘　　要：比德类、祈福类与西式三类植物纹样是清至民国时期五邑侨乡祠堂典型的建筑纹样。运用艺术品审美层次理论,分析比德类植物纹样的审美意境内涵,探讨传统比德类植物纹样与祠堂道德教化的内在关联。指出在地化植物纹样在形式层能指及所指两方面拓展了岭南祠堂装饰纹样的范畴。而西式植物纹样整体上属于形式能指层面的审美创作实践。Virtue cultivation,blessings,and introduction of western elements are the three typical architectural plant patterns for decorating ancestral halls built in Wuyi from the Qing Dynasty to the Republic of China.By applying the theory of four aesthetic levels of artworks,this article analyzes the aesthetic connotation of virtue-cultivation themed plant patterns,explores the intrinsic relationship between traditional plant patterns and moral education functions of ancestral halls,and points out that localized decorative plant patterns expanded the scope of decoration patterns in terms of formal signifier and referent in Lingnan region,while western plant patterns belong to the aesthetic creation practice at the form signifier level.

关 键 词：建筑装饰 植物纹样 乡村美学 五邑侨乡 

分 类 号：TU238[建筑科学—建筑设计及理论]