写实源流·双重结构·群像突破·情理模式——电视剧《狂飙》人物塑造的创获及其意义  

The Source of Realism,Dual Structure,Breakthrough of Images of Group Characters,and the Emotional and Rationale Mode

作　　者：王琦[1] 郭应煊 WANG Qi;GUO Yingxuan

机构地区：[1]大连理工大学哲学系 [2]大连理工大学中文系,辽宁大连116024

出　　处：《五邑大学学报（社会科学版）》2024年第4期31-35,91,共6页Journal of Wuyi University(Social Sciences Edition)

基　　金：国家社科基金一般项目“当代西方左翼审美共同体思想研究”(批准号:23BZW007);辽宁省社科规划基金重点项目“破解难点助微短剧良性发展”(批准号:L24ALW027);“兴辽英才计划”文化名家暨“四个一批”人才项目(批准号:XLYC2210018)的阶段性成果。

摘　　要：2023年的电视剧《狂飙》以一个跨越20年的扫黑除恶故事刷新电视剧热度最高纪录。剧作的出彩之处在于塑造了一个悲剧世界,通过对悲剧命运的回溯、人物群像的塑造和兄弟模式的设定,铸造了艺术典型,达成作品与观众双向的情感共鸣,典型人物高启强“一念之差造就一生之遥”的命运引发观众对人性、现实的深层思考。《狂飙》的人物设定吻合观众的现代性审美,达成了消费文学与严肃文学的一个合理平衡。高启强的人物塑造拓宽了反派人物表现力的边界,对我国新时代文艺创作的审美多元化有所启发。The TV series The Knockout,premiered in 2023,sets a new record for the popularity of TV dramas with a fascinating story that spans 20 years of fighting black societies and evil forces.However,the real beauty of the play lies in its creation of a sublime world of tragedy,through the retrospection of the tragic fate of its protagonist,the portrayal of a group of characters,and the setting of the mode of sworn brotherhood.The TV series cast a typical artistic model and achieved two-way emotional resonance between the work and the audience.And the fate of the protagonist Gao Qiqiang,whose“one thought leads to a change of his fate”,causes the audience to think deeply about human nature and reality.The characterization of The Knockout matches the audience's modern aesthetics and strikes a reasonable balance between consumer literature and serious literature.The original characterization of Gao Qiqiang broadens the boundaries of villain characters’expressive power,and is enlightening to the aesthetic pluralism of literary and art creation in the new era of our country.

关 键 词：典型论 《狂飙》 高启强 人物塑造 

分 类 号：I20735[文学—中国文学]