回顾与审视:“中国传统音乐录音档案”·藏族音乐考察音响——述新中国成立时期的藏族颂歌  

Reviewing and Examining the:"Chinese Traditional Music Recording Archives"·Recordings of Tibetan Music Colleted During Fieldwork——Discussing the Tibetan Hymns during the Founding of New China

作　　者：银卓玛[1] Yin Zhuoma

机构地区：[1]中国艺术研究院

出　　处：《西藏艺术研究》2024年第3期16-23,共8页Tibetan Art Studies

基　　金：2020年度年度国家社科基金艺术学项目“南方跨界族群音乐民族志的理论建设和选点、比较研究”(项目批准号:20BD068)阶段性成果。

摘　　要：新中国成立时期,全国各省各地、各少数民族文艺工作者运用歌声歌颂新中国成立、歌颂毛主席、歌颂共产党、歌颂新政策,尤其各基层音乐工作者、民间歌手在党的领导下,延续中共中央1942年5月在延安杨家岭召开的文艺工作者座谈会(延安文艺座谈会)“为人民服务,为工农兵服务”的精神。在重审中国艺术研究院图书馆馆藏藏族音响资料时,发现上世纪五六十年代的部分音响,题材是歌颂新中国、毛主席、共产党的颂歌类。本文通过梳理和复盘,将这些背负着时代特点的藏族红歌,加以呈现。During the founding of New China,the literary and artistic workers from various provinces,regions,and ethnic minorities used their singing to praise the founding of New China,Chairman Mao,the Communist Party,and new policies.Especially the grassroots music workers and folk singers,under the leadership of the Party,continued to advance the spirit of"Serve the People,Serve the Workers,Peasants,and Soldiers’advocated by the Central Committee of the Communist Party of China at the Literary and Artistic Workers'Symposium(also known as Yan'an Forum on Literature and Art)held in Yangjialing of Yan'an in May 1942.While reexamining Tibetan audio materials archived at the Library of the Chinese National Academy of Arts,we discovered audio recordings from the 1950s and 1960s with hymn themes praising New China,Chairman Mao,and the Communist Party.This article analyzes and reviews these Tibetan communist songs that carry the unique characteristics of the times.

关 键 词：新中国 毛主席 共产党 藏族颂歌 旧曲新唱 

分 类 号：J607[艺术—音乐]