接受美学视域下《文成公主》实景剧的演述与接受分析  

The Performance and Acceptance Analysis of the Live-Action Drama Wencheng Princess from the Perspectives of Reception Aesthetics

作　　者：朱思同 Zhu Sitong

机构地区：[1]山东大学文艺美学研究中心

出　　处：《西藏艺术研究》2024年第3期102-110,共9页Tibetan Art Studies

基　　金：国家社科基金重大项目“中国艺术民俗学的理论与实践研究”子课题“表演类民俗艺术研究”(项目编号:22ZD06)阶段性成果。

摘　　要：实景剧《文成公主》以文成公主入藏和亲的历史故事为主题,采用跨媒介的叙事手法和综合艺术的表现形式,成功地将历史中的难以忘怀转变为艺术中的感人至深,使观众获得沉浸式的审美体验。因此,本文将实景剧《文成公主》置于艺术活动的坐标系中,从接受美学的视角出发,对该剧进行整体、多维的审美观照,剖析该剧的艺术手法和创作理念,以期为后续的艺术创作提供启发与理论参考。The live-action drama Princess Wencheng takes the historical tale of Princess Wencheng's entry into Tibet and her marriage as the central theme,which adopts cross-media narrative techniques and comprehensive artistic expression forms.It successfully transforms the memorable history into emotional appeals,enabling the audience to acquire an immersive aesthetic experience.Thus,this paper positions the live-action drama Princess Wencheng within the spectrum of artistic activities.Starting from the perspectives of acceptance aesthetics,this paper conducts a comprehensive and multi-dimensional aesthetic observation of the play.Moreover,it analyzes the play's artistic techniques and creative concepts,hoping to offer inspiration and theoretical references for subsequent artistic creations.

关 键 词：《文成公主》 实景剧 艺术接受 艺术创作 西藏文化 

分 类 号：J723[艺术—舞蹈]