万玛才旦电影中藏族文化的表达——基于影视民族志的视角  

The Expression of Tibetan Culture through Pema Tseden's Films——Based on the Perspective of Film and Television Ethnography

作　　者：达娃央吉 Dawa Yangji

机构地区：[1]西藏大学中华民族共同体研究院

出　　处：《西藏艺术研究》2024年第3期111-120,共10页Tibetan Art Studies

摘　　要：影视民族志是人类学民族志新的抒写载体,文化通过影像的刻画更加完整、真实。万玛才旦的电影饱含影视民族志的精神,不同于传统对藏族文化的叙事,在影像中透过个体生活,文化深层的生命意义得以呈现,这是对文化的“深描”,在影像中得到解释。从万玛才旦电影的表达中,感知关于藏族文化更加饱满的模样、更加鲜活的生命力,并且令我们“深切体会”。Film and television ethnography is a new narrative form of anthropological ethnography,and the images portray culture more completely and authentically.Pema Tseden's films are characterized by the spirit of film and television ethnography,which differs from the traditional narrative of Tibetan culture.His films portray individual life through images to reveal the more profound and cultural meanings of life and a"thick description"of culture through the images.From the expressions of Pema Tseden's films,we perceive a fuller picture of Tibetan culture with more vitality,enabling us to gain more embodied"deep experiences."

关 键 词：影视民族志 万玛才旦 文化表达 个体叙事 

分 类 号：J705[艺术—舞蹈]