论宋诗叙事的三个维度——以南宋高宗朝贬谪诗歌为例  

On the Three Dimensions of Narrativity in Song Poetry--Taking the Relegation Poems During Emperor Gaozong Period of Southern Song as an Example

作　　者：蔡龙威 Cai Longwei(East China University of Technology,Nanchang 330013,China)

机构地区：[1]东华理工大学文法与艺术学院,江西南昌330013

出　　处：《河南师范大学学报（哲学社会科学版）》2024年第6期108-113,共6页Journal of Henan Normal University(Philosophy and Social Sciences)

基　　金：国家社会科学基金一般项目(23BZW084);江西省社会科学基金一般项目(24WX03)。

摘　　要：南宋高宗朝贬谪诗的叙事特征表现有三:其一,诗人们通过增加单首诗题长度和组诗的方式,有效地拓展了诗题的叙事性;其二,诗人们经常从理性的视角分析事件的前因后果,并将其主体情感融入其中,以致涌现出大量富含叙事性因子的自传式诗作;其三,诗人们以创新用典方式、多角度用典、以小见大和跨领域融合等方式增益叙事容量,比较充分地表达了他们的个体启悟和多元情绪。南宋高宗朝贬谪诗对促进和形成宋诗的叙事化特征具有重要的作用。There are three narrative features of the relegation poems during the Emperor Gaozong Period of Southern Song:firstly,poets effectively expanded the narrative theme by increasing the length and set of poems;secondly,poets often analyzed the whole events from a rational perspective and integrated their subjective emotions into poems,resulting in the emergence of a large number of autobiographical poems rich in narrative elements;thirdly,poets enhanced their narrative capacity by innovating the usage of allusions,using allusions from multiple perspectives,seeing the big in the small,and interdisciplinary integration,fully expressing their individual enlightenment and diverse emotions.The relegation poems during the Emperor Gaozong Period of Southern Song played an important role in promoting and forming the narrative characteristics of Song poetry.

关 键 词：南宋高宗朝 贬谪诗歌 叙事维度 

分 类 号：I206.442[文学—中国文学]