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作 者:宋剑华[1] SONG Jian-hua(College of Humanities,Jinan University,Guangzhou,Guangdong 510632)
出 处:《江南大学学报(人文社会科学版)》2024年第5期83-93,共11页Journal of Jiangnan University:Humanities & Social Sciences Edition
基 金:国家社科重点项目“百年文艺大众化运动的理论与实践研究”(23AZW002)。
摘 要:苏区文艺在第二次国内革命战争时期,并非仅仅是一种活跃苏区军民文化生活的艺术形态,而是作为传播无产阶级革命思想最重要的宣传工具,自觉地承担起了推动中国革命走向胜利的三大使命:一是通过革命启蒙,唤醒了苏区军民的阶级意识,并以“打土豪、分田地”为政治纲领,彻底解决中国农村中分配不公的土地问题,目的就是要建立一个由人民当家作主的民主国家;二是通过战争动员,使广大农民群众真正了解第二次国内革命战争的伟大意义,并从思想上明确保卫苏维埃革命政权,就是在保卫贫苦农民已经到手的胜利果实,进而充分调动他们参加这场革命战争的积极性;三是通过统战工作,瓦解国民党军队的内战士气,团结一切爱国力量,建立抗日民族统一战线,进而全力以赴去保卫中华民族的美丽家园。苏区文艺这三大功能价值,在中国现代革命的具体实践中,已经成为一种红色文艺的光荣传统。The cultural arts in the revolutionary base areas during the Land Revolutionary War period were not merely an art form that enlivened the cultural life of the military and civilian population in the base areas.Rather,they served as critical tools for spreading proletarian revolutionary ideas,and assumed three major missions aimed at leading China's revolution towards victory:First,through revolutionary enlightenment,they awakened the class consciousness of the military and civilian population in the base areas,advocating the political program of"expropriating the rich and redistributing land"to resolve land inequality in China once and for all.The goal was to establish a democratic country where the people were in charge.Second,through war mobilization,they helped the vast majority of farmers truly understand the great significance of the land revolutionary war and made clear that defending the Soviet revolutionary regime was equivalent to defending the gains of the impoverished farmers,thereby fully arousing their enthusiasm to participate in the revolutionary war.Third,through united front efforts,they undermined the morale of the inner Kuomintang troops and united all patriotic forces to establish the Anti-Japanese United Front,thereby devoting all their efforts to protecting the beautiful homeland of the Chinese nation.The three functional values of the cultural arts in the revolutionary base areas have become a glorious tradition of red cultural arts in China's modern revolutionary history.
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