区域文学视阈下宋诗对武夷的形塑  

The Shaping of Wuyi by Song Poetry under the Regional Literature Perspective

作　　者：占茹旎 ZHAN Runi(School of Chinese Language and Literature,Fujian Normal University,Fuzhou,Fujian 350007)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《武夷学院学报》2024年第10期8-14,共7页Journal of Wuyi University

摘　　要：武夷山钟灵毓秀,是我国四项世界自然与文化双重遗产之一。宋代是武夷文化发展的巅峰期,题写武夷的诗歌数量较前代大大增加。宋代诗人对武夷君幔亭招宴与架壑船棺的书写,使诗歌中的“武夷”承袭其“神仙境”与“太古风”的文学初态。结合文学地理学考察烟霞与桃源入诗,既有现实地理指向,又有文学蕴含。宋诗对武夷的形塑,具体表现为玉府仙都、隐居妙境、栽茶仙山等形象,后代文学家由此继承并不断丰富。The beautiful Wuyi Mountain is one of the four World Heritage-Mixed Property in China.The Song Dynasty was the peak period of Wuyi culture and the number of poems about Wuyi increased greatly compared with the preceding generations.The Song Dynasty poets'writing about Wuyi King's banqueting in Manting Peak and the ship-coffins on the cliff made Wuyi in poems inherit its literary initial state of fairyland and old-world style.Combining with literary geography,the images of misty clouds and peach blossom spring in poems have both realistic geographical direction and literary implication.In Song poetry,Wuyi presents such literary images as caverns of heaven and places of blessing,seclusion,fairy mountain where tea is grown,etc.Later generations of writers inherited from these images,continuously enriched the image of Wuyi in Chinese literature.

关 键 词：区域文学 武夷书写 宋诗 形塑 文学地理学 

分 类 号：I207[文学—中国文学]