当代中国画主题性创作中平面化构成形式  

Practical Research on Planarized Schema in Thematic Creation of Contemporary Chinese Painting

作　　者：徐李葳 XU Liwei(School of Art and Communication,Fujian Polytechnic Normal University,Fuqing,Fujian 350300)

机构地区：[1]福建技术师范学院艺术与传媒学院,福建福清350300

出　　处：《武夷学院学报》2024年第10期44-49,共6页Journal of Wuyi University

摘　　要：主题性美术创作与每个时代的观看方式有着密切的联系,而平面化的构成形式无疑可以给当代中国画主题性美术创作提供新颖的思维方式,促使画家们从图像时代的视觉感知角度去思考创作的当代转型,亦可给予更多样的技术手段和更丰富的艺术语言。立足于21世纪伊始中国画主题性创作,从现代主义的影响切入到“平面化”视觉思维在历史题材中的开拓,进而对审美叙事结构的“当代性”转型进行梳理,最后以典型运用平面化构成形式的美术作品《齐桓公称霸》为例,在其图式与语言系统中剖析艺术家对观念、造型、构图等方面的新思考与新探索。通过以上层层的分析来论证平面化艺术语言这一现代图式是符合当前图像时代的审美目标和知觉效应。Thematic art creation is closely related to the way of viewing in each era,and the planar form of composition can undoubtedly provide a novel way of thinking for thematic art creation of contemporary Chinese painting,prompting painters to think about the contemporary transformation of creation from the perspective of visual perception in the image age,as well as providing more diversified technical means and richer artistic language.This research is based on the thematic creation of Chinese painting at the beginning of the 21st century,from the influence of modernism to the development of"planarized"visual thinking in historical themes,and then combs the“contemporary”transformation of the aesthetic narrative structure.Finally,taking the art work“Duke Huan of Qi Dominates”,which is a typical form of planarization,as an example,this paper analyzes the artists’new thinking and new exploration on the concept,modeling,composition and other aspects in its schema and language system.Through the above layers of analysis and research,it is demonstrated that the modern schema of flat art language is in line with the aesthetic goal and perceptual effect of the current image age.

关 键 词：主题性创作 平面化 构成形式 《齐桓公称霸》 

分 类 号：J204[艺术—美术]