浓淡出毫端,无极生太极——浅析青花分水花鸟画  

Shades Out of the Brush Tip,The Wuji Forms the Taiji——Analysis of Blue and White Water-mixing Flower and Bird Painting

作　　者：吴和龙 Wu Helong

机构地区：[1]不详

出　　处：《景德镇陶瓷》2024年第4期149-151,共3页Jingdezhen Ceramics

摘　　要：自古以来,青花瓷就以其清新典雅的艺术风格和丰富多彩、意蕴深刻的装饰纹样广为人民大众喜爱。青花分水则是绘制青花瓷的一种高妙、历史悠久的传统技法,讲究浓淡适宜和意境营造。青花分水花鸟画神形并具,含有中国传统水墨画的神韵,具有极高的艺术审美价值。Since ancient times,blue and white porcelain has been widely loved by the public for its fresh and elegant artistic style and colorful and profound decorative patterns.The blue and white water-mixing flower and bird painting is a kind of high skillful and long history traditional technique of painting blue and white porcelain,which emphasizes on the appropriateness of the density and the creation of the mood.The blue and white water-mixing flower and bird paintings have both the spirit and the shape,containing the charm of traditional Chinese ink painting,and have a very high artistic and aesthetic value.

关 键 词：青花瓷 分水技法 青花分水花鸟画 

分 类 号：J527[艺术—艺术设计]