论斯坦尼斯拉夫斯基体系与《角色的诞生》  

On the Stanislavsky System and The Birth of a Role

作　　者：房开颜 Fang Kaiyan

机构地区：[1]上海戏剧学院

出　　处：《戏剧与影视评论》2024年第4期17-27,共11页Review of Theatre and Film

摘　　要：通过《角色的诞生》一书,可以集中窥见中国戏剧家在20世纪40年代“斯坦尼体系热”中建构中国话剧演剧方法乃至民族演剧体系的理想。对比《角色的诞生》与《演员自我修养》,一方面可以集中管窥郑君里所在的中国万岁剧团以及重庆戏剧家们理论联系实际地接受斯坦尼体系的实情;另一方面也可以了解中国戏剧家认识“体系”的基本水平,同时还能辨识出戏剧家无意或有意误读斯坦尼体系后的创见。可以说,《角色的诞生》展示了抗战时期戏剧家们从斯坦尼体系出发,结合中国话剧演剧的现实状况,在“民族演剧体系”的集体诉求下进行的理论沉思。Through the book The Birth of a Role,we can see the ambition of Chinese dramatists to construct a theoretical to Chinese drama and even a "Chinese acting system" in the midst of the "Stanislavsky System Fever" in the 1940s.Comparing The Birth of a Role and An Actor's Work,on the one hand,it is possible to focus on Zheng Junli's and ZhongGuoWanSui Theater Company as well as Chongqing dramatists' acceptance of the "system" in a theoretical and practical way,on the other hand,it is also possible to understand the basic level of Chinese dramatists' understanding of the "system",and at the same time to recognize the creation of dramatists who have unintentionally or intentionally misinterpreted the "system".It can be said that The Birth of a Role demonstrates the theoretical contemplation of Chinese dramatists during the war period,starting from the Stanislavsky system,combined with the reality of Chinese drama and performance,and under the collective demand for a "Chinese acting system".

关 键 词：《角色的诞生》 郑君里 斯坦尼斯拉夫斯基体系 中国万岁剧团 

分 类 号：J812[艺术—戏剧戏曲]