爱尔兰尤铃风笛及其音乐中的“爱尔兰性”解读  

The Interpretation of the Irish Uilleann Pipe and the Irishness in Its Music

作　　者：栗树 LI Shu(School of Music and Dance,Xinyang Normal University,Xinyang 464000,China)

机构地区：[1]信阳师范大学音乐与舞蹈学院,河南信阳464000

出　　处：《信阳师范学院学报（哲学社会科学版）》2024年第6期118-125,共8页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：河南省哲学社会科学规划年度项目(2023BYS030);河南省教师教育课程改革研究项目(2024-JSJYYB-022);信阳师范大学2024年度“南湖学者奖励计划”;信阳师范大学青年骨干教师资助计划(2022GGJS-05)。

摘　　要：尤铃风笛是爱尔兰最具代表性的传统乐器,受19世纪末20世纪初爱尔兰文艺复兴运动的影响,尤铃风笛因其具有爱尔兰根性文化特征,在“去英国化”和“自我建构”的实践中,尤铃风笛被塑造为国家形象的标识和文化的象征。尤铃风笛及其音乐作为与爱尔兰传统文化密切联系的承载物,它在特殊历史时期成功地建构了爱尔兰人迫切寻找的“爱尔兰性”,抵抗着殖民话语对爱尔兰文化的侵蚀;也在文化全球化的当代展示着爱尔兰文化的独特性和差异性。The Uilleann Pipe is the most representative traditional instrument in Ireland.Influenced by the Irish Renaissance movement in the late 19th and early 20th centuries,Uilleann Pipe due to its root cultural characteristics,practices“de Britianization”and“self-construction”in all aspects,and has been shaped as a symbol of national image and culture.The Uilleann Pipe and its music,as cultural carriers closely related to Irish past and traditions,have successfully constructed the“Irishness”that Irish people urgently seek in a special historical period,denying the questioning and defamation of Irish culture in colonial discourse;it also showcases the uniqueness and diversity of Irish culture in the context of global integration,achieving cultural boundaries of its own ethnicity and enabling Ireland to stand proudly among the world's nations.

关 键 词：爱尔兰 尤铃风笛 风笛音乐 爱尔兰性 

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