罗赞诺夫宗教哲学批评视阈中的屠格涅夫及其创作  

I.S. Turgenev and his creation in the perspective of V.V. Rozanov's religious philosophy criticism

作　　者：纪薇[1] Ji Wei(Tianjin Normal University)

机构地区：[1]天津师范大学外国语学院

出　　处：《欧亚人文研究（中俄文）》2024年第4期69-76,92,共9页Eurasian Humanities Studies

基　　金：北京外国语大学中国外语与教育研究中心第十一批中国外语教育基金项目“‘大思政’背景下俄罗斯文学课程创新与实践研究”(项目号ZGWYJYJJ11Z027)的阶段性研究成果。

摘　　要：屠格涅夫的个性和创作在罗赞诺夫的批评论著中占有相当重要的地位。罗赞诺夫建构了自己的文学等级谱系,他从一开始就确定屠格涅夫是一位“观察型艺术家”,后在其批评论著中多处论及屠格涅夫创作的优缺点。罗赞诺夫认为屠格涅夫作品所描绘的男女主人公的爱情的特点是无果和非肉体性,并以宗教哲学批评视角从屠格涅夫这种“玻璃式”的爱中阐释了其身上的基督教无性精神和笔下的永恒女性形象。I.S.Turgenev's personality and creation was an important part of V.V.Rozanov's critical works.Rozanov constructed his own literary hierarchy.From the outset,he determined that Turgenev was an“observation artist”.Later,he often pointed out the advantages and disadvantages of Turgenev's works in his criticism.Rozanov believed that the love between the protagonists and heroines depicted in Turgenev's works was usually fruitless and non-corporeal,and found the Christian asexual spirit and the realization of the image of the Eternal Feminine in Turgenev's“glass love”from the perspective of religious philosophy criticism.

关 键 词：罗赞诺夫 屠格涅夫 宗教哲学批评 爱情无果 非肉体性 

分 类 号：H35[语言文字—俄语]