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作 者:朱艳红 Zhu Yanhong(Beijing Foreign Studies University,Shandong Agricultural University)
机构地区:[1]北京外国语大学 [2]山东农业大学
出 处:《欧亚人文研究(中俄文)》2024年第4期77-85,92,共10页Eurasian Humanities Studies
摘 要:《天秤》是俄国象征主义文学运动中最具影响力的杂志,其六年的生命历程呈现了象征主义创作主体思想取向的多样化和艺术追求的异质性。本文通过梳理分析《天秤》刊发的理论文章和评论文章,管窥俄国象征主义思潮内部的团体之争,剖析象征主义流派思想立场和美学立场的演变,以及象征主义个体诗人和整个流派艺术取向的流变,以期为俄国象征主义研究提供一个新视角。Vesy is the most influential magazine in the Russian Symbolist literary movement,and its sixyear lifespan reflects the diversity of thoughts on literary creation and the heterogeneity of artistic pursuits of creators of Russian Symbolism.By analyzing the theoretical and critical articles published in Vesy,the paper provides a glimpse into the internal disputes within the Russian Symbolist school,examines the evolution of the ideological and aesthetic positions of the school,as well as the changes in the artistic orientations of individual Symbolist poets and the school as a whole,thereby offering a new perspective for the study of Russian Symbolism.
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