波兹曼思想中的屏幕现象学探析  

Exploration of Screen Phenomenology in Postman’s Thought

作　　者：马梦宇 Mengyu Ma(College of the Arts,Baoding University of Technology,Baoding Hebei)

机构地区：[1]保定理工学院,艺术学院,河北保定

出　　处：《新闻传播科学》2024年第5期1258-1262,共5页Journalism and Communications

摘　　要：尼尔·波兹曼作为媒介环境学派的代表,他以对现代社会的深刻见解和敏锐预言而著称于世,与其他人不同的是其思想中体现了浓厚的人文主义及媒介技术悲观主义,在《娱乐至上》《童年的消逝》和《技术垄断》批判三部曲中,波兹曼从人文角度出发批判了电视媒介对现代社会的负面影响。本文从波兹曼的媒介隐喻论、媒介教育论和媒介环境学理论出发,以电子媒介手机为例进行思考和介绍,其研究结论及意义在于提示媒介的强大的影响力、技术发展的双刃剑特性以及教育的重要性。Neil Postman,as a representative of the media environment school,is renowned for his profound insights and sharp predictions about modern society.Unlike others,his ideas embody a strong hu-manistic and media technology pessimism.In his critical trilogy of“Entertainment First”,“The Dis-appearance of Childhood”and“Technological Monopoly”,Postman criticized the negative influence of television media on modern society from a humanistic perspective.This article starts from Boltz-mann’s media metaphor theory,media education theory,and media environmental theory,and uses electronic media mobile phones as an example to reflect and introduce.The conclusions and significance of his research lie in highlighting the powerful influence of media,the double-edged nature of technological development,and the importance of education.

关 键 词：波兹曼 媒介环境学派 技术悲观主义 媒介情景论 

分 类 号：G20[文化科学—传播学]