萨特存在主义视域下的《无姓之人》解读  

Interpretation of Mr.Nobody from the Perspective of Sartre’s Existentialism

作　　者：王月 Yue Wang(School of Media and Art,Chongqing University of Posts and Telecommunications,Chongqing)

机构地区：[1]重庆邮电大学传媒艺术学院,重庆

出　　处：《新闻传播科学》2024年第5期1295-1299,共5页Journalism and Communications

摘　　要：电影《无姓之人》通过回忆和想象的方式构建多维时空并以多重时空的组合来展现人的自由选择与人生意义。影片探讨的个体存在和自由选择等主题与萨特的存在主义哲学思想紧密相连,引发了人们深刻的共鸣与反思。本文以萨特的存在主义为理论基础,对电影《无姓之人》中所体现的个体自由选择,人生价值等萨特存在主义哲学问题进行深入解读,分析影片的叙事手法和人物塑造,探讨导演在对电影艺术创作以外真正想要向世界表达的中心思想,这对于未来电影的发展与创作都具有重要的意义。The film Mr.Nobody constructs multidimensional time and space through the way of memory and imagination,and shows people’s free choice and the meaning of life through the combination of multiple time and space.The themes discussed in the film,such as individual existence and free choice,are closely connected with Sartre’s existentialism philosophy,which has aroused people’s deep res-onance and reflection.Based on Sartre’s existentialism theory,this paper makes an in-depth inter-pretation of Sartre’s existentialism philosophical issues such as individual free choice and life value embodied in Mr.Nobody,analyzes the film’s narrative techniques and characterization,and ex-plores what the director really wants to express to the world beyond the artistic creation of the film.This is of great significance to the development and creation of future films.

关 键 词：萨特存在主义 自由选择 《无姓之人》 人生价值 

分 类 号：J90[艺术—电影电视艺术]