道具在戏曲中的作用——以《破幽梦孤雁汉宫秋》《江州司马青衫泪》为例  

The Role of Props in Opera-Taking“Breaking a Troubling Dream:A Lone Goose in Autumn over the Palaces of Han”and“The Overseer of Jiangzhou:Tears on the Blue Gown”as Examples

作　　者：张晨润 Chenrun Zhang(School of Chinese Language and Literature,Xinjiang Normal University,Urumqi Xinjiang)

机构地区：[1]新疆师范大学中国语言文学学院,新疆乌鲁木齐

出　　处：《国学（汉斯）》2024年第5期988-992,共5页Chinese Traditional Culture

摘　　要：在《破幽梦孤雁汉宫秋》《江州司马青衫泪》中,通过琵琶、美人图和求救信这些道具的运用推动了剧情的发展,燃起戏剧的矛盾冲突。并且这些道具的运用,在剧本的结构中起到转折性的枢纽作用,实现了剧情的“发现”和“突转”。在《破幽梦孤雁汉宫秋》《江州司马青衫泪》中,这三种道具的运用对后世戏曲的创作也有一定的启示意义。In“Breaking a Troubling Dream:A Lone Goose in Autumn over the Palaces of Han”and“The Overseer of Jiangzhou:Tears on the Blue Gown”,the use of props such as pipa,beauty pictures and distress letters promoted the development of the plot and ignited the contradictions and conflicts of the drama.And the use of these props plays a pivotal role in the structure of the script,realizing the“discovery”and“sudden turn”of the plot.The use of these three props in“Breaking a Troubling Dream:A Lone Goose in Autumn over the Palaces of Han”and“The Overseer of Jiangzhou:Tears on the Blue Gown”also has a certain enlightening significance for the creation of later operas.

关 键 词：道具 戏曲 作用 

分 类 号：I20[文学—中国文学]